When the bullfighter Escamillo wins Carmen's affections, Don Jose's explosive jealousy clashes with Carmen's resolve to remain true to herself, leading to one of opera's fiercest confrontations and most unforgettable conclusions. : Bizet - Carmen / Levine, Baltsa, Carreras, Metropolitan Opera : Agnes Baltsa, Jose Carreras, Samuel Ramey, Leona Mitchell, Myra Merritt. But soon enough Carmen works her wiles on him to escape imprisonment, and a later twist of ever-looming fate forces him to completely abandon the world he knows and follow Carmen into a life of crime. Clémentine Margaine made her debuts at the Metropolitan Opera and Paris Opera in the signature role of Carmen in 2017 to widespread acclaim. The opera’s melodic sweep is as irresistible as the title character herself, a force of nature who has become a defining female cultural figure. The color evoked appropriate associations for the opera the blood of bulls and the lips of gypsies. Bizet’s masterpiece of the gypsy seductress who lives by her own rules has had an impact far beyond the opera house. Don Jose is an idealistic young corporal in 1820s Seville when he encounters the gypsy Carmen, who is irresistible to all men seemingly except Jose, who loves the innocent country girl Micaela. A blood-red curtain hung across the stage of the Metropolitan Opera House before the first act of Bizet’s Carmen. Arguably the greatest musical product of France's enduring fascination with Spain, Carmen features many numbers that are now almost universally familiar, including the seductive Habanera and the boastful but infectious Toreador Song. Louis Langre Aleksandra Kurzak (Micala), Clmentine Margaine (Carmen). One of the greatest roles written for mezzo-soprano, the title character of Bizets Carmen combines richly sensual singing with dramatic conviction and some. It was reviled at its Paris premiere, where its realism and perceived amorality proved shocking, but it became one of the most popular and highly regarded operas of all time. Tickets for all 2018-19 Met Opera screenings will be on sale for Guild Hall. In October 2012, Professor Ender’s class Nineteenth-Century French Literature (1800-1850) spent an evening at the Metropolitan Opera House to see the opera Carmen, whose libretto was inspired by a tale by Mérimée studied in class. A riveting story of fatal attraction between a beguiling, strong-willed gypsy and a naive but passionate soldier who falls under her spell, Georges Bizet's Carmen pulses with seduction, obsession, and deadly betrayal.
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